And to be honest, that new look fits the film itself, thanks to its bold graphics and contemporary setting. Despite the film lacking the same quality of hand-inked films, it was still a success at the box office. It gave One Hundred and One Dalmatians that sort of sketched look. That’s when they decided to test out new technology and switched to xerography to replace traditional hand-inking. It became even more expensive with 1959’s Sleeping Beauty, which was designed for 70mm and saw animators working on paper the size of bedsheets.įollowing that expensive and ambitious project, Disney needed to cut costs. Cels were then photographed as each individual frame.Īs you can imagine, this is labor-intensive and involves a lot of different people, so it’s not the cheapest way to make a full-length film. The animators would draw on paper, and then they would pass them along to artists that would trace them with ink and paint onto cels. The Jungle Book (1967)īefore One Hundred and One Dalmatians, making an animated film involved the process of hand-inking cels. A live-action remake was in the works starting in 2015, but it still hasn’t happened. Despite all that, the movie did become a box office success. While some found the movie entertaining and characters appealing, others found the story thin and complained that the very English story was too Americanized. Like many other Disney adaptations of existing stories, Walt wanted to make it family-friendly, and that meant axing several parts of the original novel. That’s a long time to wind up with a largely-forgotten animated movie. Why? Well, Disney first acquired the film rights to the novel back in the 1930s, and there were decades of attempts at developing the movie before production actually ever began. If Walt Disney were still alive, he might find that a little disappointing. I’m not at all surprised when people tell me that they’ve never even seen the 1963 film. The Sword In the Stone is the least well-known movie of Disney’s Silver Era.

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